Increase Your Video Film IQ Series Part 24 Camera sensor & IMAX

Increase Your Video Film IQ Series Part 24 Camera sensor & IMAX

Camera sensor and film size explained – From 1/3 inch over super35 to IMAX

Media Division Channel
https://www.youtube.com/channel/UCPf67c3vUrFlNOERwjHyR2w

Pixel Binning vs Line Skipping / Why the Nikon Z6 Is Better for Video
Geral Undone Channel

https://www.youtube.com/channel/UC09qASY4ixFS-KXIH6Nw0rg

IMX Technology

The Incredible Process of How a GIANT 70mm IMAX Film is Played

Forbes.com

7 Things You (Probably) Didn’t Know About Imax
https://www.forbes.com/sites/sethporges/2013/07/09/7-things-you-probably-didnt-know-about-imax/

The desire to increase the visual impact of film has a long history. In 1929, Fox introduced Fox Grandeur, the first 70 mm film format, but it quickly fell from use.[3] In the 1950s, the potential of 35 mm film to provide wider projected images was explored in the processes of CinemaScope (1953) and VistaVision (1954), following multi-projector systems such as Cinerama (1952). While impressive, Cinerama was difficult to install. During Expo 67 in Montreal, the National Film Board of Canada’s In the Labyrinth and Ferguson’s Man and the Polar Regions both used multi-projector, multi-screen systems. Each encountered technical difficulties that led them to found a company called “Multiscreen”, with a goal of developing a simpler approach. The single-projector/single-camera system they eventually settled upon was designed and built by Shaw based upon a novel “Rolling Loop” film-transport technology purchased from Peter Ronald Wright Jones, a machine shop worker from Brisbane, Australia (see U.S. Patent 3,494,524). As it became clear that a single, large-screen image had more impact than multiple smaller ones and was a more viable product direction, Multiscreen changed its name to IMAX. An IMAX 3D theatre also is in operation near the former Expo 67 site at the Montreal Science Centre in the Port of Old Montreal.
https://en.wikipedia.org/wiki/IMAX

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